Anyone who translates our conversations with artists has a fundamental but tricky task. That person needs to follow the thread of the journalists’ discussion (and it’s not that simple). And can’t miss a beat in the interview. With Claudia, I participated in press conferences with hugely popular and often long-winded, complicated and abstruse artists. She was always focused and precise, transforming words that were sometimes meaningless, leading nowhere, into sentences that made sense! That’s the secret of a great interpreter. It was a real privilege to meet her again at roundtables (her colleagues don’t always guarantee the same accuracy).